15 Must-Hear Songs, Hand-Picked By Girls' Music Coordinator
- 1 of 16
- ▶ "Love Me Again" - John Newman
- ▶ "Don't Wait" - Mapei
- ▶ "Shelter Song" - Temples
- ▶ "Money Rain Down" - Big Black Delta
- ▶ "Goldstar" - Cashier No. 9
- ▶ "Real Smart" - Lou Doillon
- ▶ "Cruel/Kind" - Gold Leaves
- ▶ "The Heat" - Jungle
- ▶ "Alligator" - The Babies
- ▶ "You And Your Sister" - Chris Bell
- ▶ "Love In Motion" - Sebastian (feat. Mayer Hawthorn)
- ▶ "No Waves" - Fidlar
- ▶ "Luv, Hold Me Down" - Drowners
- ▶ "Already Forgot Everything You Said" - The Dig
- ▶ "I Can't Say No To Myself" - Sky Ferreira
So what’s on this massively cool mixtape? A wide range of must-hear downloads, including everything from music’s latest It girl, Sky Ferreria, to the new cool kid on the block, Mapei. Click through to hear all of Leahy’s picks and get his take on why these songs are essential listening.
- 2 of 16
"Love Me Again" by John Newman
This song is a monster. Uses every trick in the book—dramatic string arrangements, syncopated horn stabs, half-time breakdowns—but all you can hear is that voice. If you're in the mood to dance and cry at the same time, here's your song.
- 3 of 16
"Don't Wait" by Mapei
I'm a sucker for Swedish pop, even if it's born in Rhode Island. This track is a great blend of surgical production and soulful vocals. Take the a cappella and put it over a Phil Spector instrumental and it still works.
- 4 of 16
"Shelter Song" by Temples
I'm not afraid to use the word "groovy" in conversation, and this song is groovy. Like some bastard child of Roger McGuinn [he’s The Byrds’ lead singer/guitarist, for you non-music nerds] and Syd Barrett [one of the original members of Pink Floyd], that slinky 12-string riff just sounds like drugs.
- 5 of 16
"Money Rain Down" by Big Black Delta
This is one of those brilliant recordings that's destined to score a memorable scene in a movie. If John Hughes had a film coming out in 2014, every kid would walk out of the theater singing this tune.
- 6 of 16
"Goldstar" by Cashier No. 9
A perfect bite of indie pop that wraps you in its arms from bar one. Every sound is curated like a prop in a Wes Anderson movie. If you're walking home alone after an evening's worth of missed opportunities, you could do a lot worse than having this shuffle its way into your headphones.
- 7 of 16
"Real Smart" by Lou Doillon
Intimate, mysterious, and literate, this track has me hooked long before the drums and choir enter. An impeccably arranged analysis of the way we fail ourselves, and it happens to be beautiful too.
- 8 of 16
"Cruel/Kind" by Gold Leaves
I really can't explain the hold this song has over me. It seems to bear an endless amount of listens and defy understanding. Maybe it's the high notes at the end that keeps me coming back.
- 9 of 16
- 10 of 16
"Alligator" by The Babies
As far as I'm concerned, this Babies album is a modern classic. If I had to send a record into space to explain to aliens what we mean when we say "indie rock," this song would definitely be on it.
- 11 of 16
"You And Your Sister" by Chris Bell
This song is pure, naked sincerity. I'm not sure anyone could write a song like this in 2014. Fragile and gorgeous, every note of it.
- 12 of 16
"Love In Motion" by Sebastian (feat. Mayer Hawthorn)
Show me a sexier song that's been recorded in the last decade. If this song was on everyone's babymaking playlist, we'd be in the middle of a population crisis.
- 13 of 16
"No Waves" by Fidlar
This track does something incredible—it instantly transforms me into the 18 year-old pissed-off version of myself. And that is a thrilling place to be.
- 14 of 16
"Luv, Hold Me Down" by Drowners
Another candidate for the 2014 John Hughes film we'd all like to see...lends itself well to high-volume, home-alone dance parties, among other things.
- 15 of 16
"Already Forgot Everything You Said" by The Dig
Once this starts, it's going to own the next five minutes of your life—absolutely killer slow burn; I'd happily stick around for another five.
- 16 of 16
"I Can't Say No To Myself" by Sky Ferreira
Join the club, right? The propulsive beat, the melody, and that voice. I'm in; no questions.